LOTHAR LEDDEROSE PDF

A renowned authority in his field, he received the prestigious Balzan Prize in After graduating from the prestigious?? He did postgraduate research at Princeton University and Harvard University — and worked as a translator at Taipei's National Palace Museum — He successfully submitted his habilitationsschrift at the University of Cologne in On the occasion of Ledderose's retirement in , an international conference was held from 10 to 12 July at the Cluster of Excellence "Asia and Europe in a Global Context" at Heidelberg University.

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A renowned authority in his field, he received the prestigious Balzan Prize in After graduating from the prestigious?? He did postgraduate research at Princeton University and Harvard University — and worked as a translator at Taipei's National Palace Museum — He successfully submitted his habilitationsschrift at the University of Cologne in On the occasion of Ledderose's retirement in , an international conference was held from 10 to 12 July at the Cluster of Excellence "Asia and Europe in a Global Context" at Heidelberg University.

His Ten Thousand Things: Module and Mass Production in Chinese Art , which the Association for Asian Studies awarded the Joseph Levenson Book Prize for , argues that modular or standardized production systems were the basis for a wide range of Chinese art, including bronzes, terra-cotta figurines, lacquer, porcelain, architecture, printing, and painting.

The Levenson committee commented that "in bridging the divides between 'high art' and 'craft,' connoisseurship and social production, as well as philology and political history, this book is a milestone in the study of art history and material cultures in China. In arguing that Chinese art and culture are just as dynamic as those in Europe, albeit with very different concepts of 'art' and 'creativity,' Professor Ledderose has opened doors for new comparative studies that do justice to both global frameworks and cultural specificities.

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Lothar Ledderose: "The Remarkable Diamond Sutra of Mount Tai and its Carved Colophons"

In a side valley, there is a less well-known, but equally dramatic, sixth century engraving of the famous Buddhist Diamond Sutra. The characters cover an area of about eighteen hundred square meters. It is the largest sutra text under the open sky in China. It is common practice in Chinese literary culture for distinguished readers to attach their own commentaries or statements of appreciation to written manuscripts. They contain fascinating commentary on how later generations viewed, appreciated, and criticized the original sutra — over a span of hundreds of years. In this Saturday seminar, we will discuss selected colophons, starting in the Song dynasty and continuing to the present day.

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Lothar Ledderose

Lothar Ledderose is one of the most distinguished scholars of Chinese art history worldwide. In the West and in East Asia he is recognized for the incisiveness and imagination of his work. He is thoroughly acquainted with the rich scholarly heritage in East Asia and he combines the rigour of the German academic tradition with flexibility and openness to new ideas. He then continued his studies at Princeton and Harvard, and spent several years in East Asia, including work at the National Palace Museum in Taipei and a research fellowship at Tokyo University.

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Prof. Dr. Lothar Ledderose

The lecture will be entitled "China writes differently". To register, please email me at es27 soas. The Robert H. Ho Family Foundation Lecture Series in Chinese Buddhism will include three events throughout the year, covering artistic, historical and contemporary aspects of the Buddhist experience in China. More lectures will be advertised soon. We very much hope that you will be able to attend the lecture and look forward to meeting you there,.

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