KUCHIPUDI THEORY PDF

Each aspect of Abhinaya, or the expressive means available to people, is given a detailed description in such competent treatise as Natyashastra written by the great Bharatamuni. The Kuchipudi style follows Natyashastra more than any other dance form in India. There are four kinds of abhinaya means of expression : 1. Angika Abhinaya - the expression through various parts of body. Vachika Abhinaya - the expression through voice, speech and song. Sattvika Abhinaya - the expression through bhavas, i.

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See our Privacy Policy and User Agreement for details. Published on Oct 24, SlideShare Explore Search You. Submit Search. Successfully reported this slideshow. We use your LinkedIn profile and activity data to personalize ads and to show you more relevant ads. You can change your ad preferences anytime. Upcoming SlideShare. Like this presentation? Why not share! Embed Size px. Start on. Show related SlideShares at end.

WordPress Shortcode. Published in: Education. Full Name Comment goes here. Are you sure you want to Yes No. Bridget Stephenson Your wife will never find out! Just send me a message and ask to F. Here's How. Show More. No Downloads. Views Total views. Actions Shares. Embeds 0 No embeds. No notes for slide. Kuchipudi 1. Even today, artists and scholars living there continue the age-old tradition and pass the knowledge to present and future generations.

All these dances were performed by men who could play the roles of both men and women as performers. This started happening by the end of the 18th century. His talent and brilliance was immediately recognized. Natyamelamu consists of a group of actors males performing Kuchipudi dancedrama. Nattuvamelamu is a tradition of dance performed by woman artistes. Thistradition had two sections, those who performed at the royal courts and thosewho performed in temples.

Nritta encompasses steps and movements in the form ofpatterns of dance which, though decorated in them, have nomeaning to convey. This form of dance involves more characters, andgives a more dramatic essence to the dance. The makeup used in this dance is not soheavy.

Steps of application :oFirstly oil- free moisturizer is applied then a light coat offacial powder is followed by a thick coat of foundation. On the nose especially on thesides dark foundation is applied. The ends of the outline are curved so that theeye looks like a lotus petal. At last put the maroon color bindi in the middle of yourforehead.

This pattern is mainly formale dancers. Kanchipuram silk saree- The kanchipuram silk saree ishand-woven. It is made of dyed silk with zari works. Kanchipuram sarees are expensive than other types of silkavailable in south India. Kanchipuam sarees are strongerthan Dhamavaram or Arani silks generally. Even though these sarees are goodin quality, kanchpuram is the best.

Semi silk saree — costumes are also made of semi silksarees which is cheaper than the other two types. Thissaree is mainly used for group performance where costfactor matters. Many costumes are stitched at a time ingroup performance. Thus we can say that the kuchipudi dance form is known for itsgrace and beauty which would be incomplete without its dressingstyle, costumes, makeup and its jewellery.

Saraswati veenaviolin VenuTanpura Hands Single-hand gestures Pataaka - flag Tripataaka- a flag with threeArdhapataaka - half-flag KartarimukhaMayura - peacock Ardhacandra - half moonAraala - bent Sukatunda - parrots headMusti - fist Sikhara - peakKapittha - elephant-apple Katakaamukha - opening in a braceletSuci Candrakalaa - digit of the moonPadmakosa - lotus bud Sarpasiras - snake hoodMrgasirsa - deer head Simhamukha - lion faceKaangula AlapadmaCatura Bhramara - beeHamsaasya - swan beak Hamsapaksa - swan wingSandamsa - pincers Mukula - blossomTaamracuda - cock Trisula - TridentMore Gestures mentioned in some texts Vyaghra-tiger, Ardhasuci, Kataka, Palli, Urnanaabha, Baana You just clipped your first slide!

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Theory of the dance. Hastas and Abhinaya

Natya is the Sanskrit word for dance, which requires devotion, dedication and discipline to master the theory and practice of this ancient art. There are several styles of Indian classical dance, which includes Bharathanatyam and Kuchipudi. My classes emphasize the importance of mastering the theoretical and practical aspects of Bharathanatyam and Kuchipudi, as well as understanding the principles of South Indian Classical music, called Carnatic music. I teach and present Bharathanatyam and Kuchipudi as a performing art and not as a religious art form.

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Kuchipudi is a dance-drama performance, with its roots in the ancient Hindu Sanskrit text of Natya Shastra. The traditional Kuchipudi was performed by all males troupe. A dancer in a male role would be in Angivastra , also known as Bagalbandi , wear a dhoti a single pleated piece of cloth hanging down from the waist. The Kuchipudi performance usually begins with an invocation. Then, each costumed actor is introduced, their role stated, and they then perform a short preliminary dance set to music dharavu. Next, the performance presents pure dance nritta.

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